Submit that writing!

large button reading Submit mounted on the wall

CC image Submit Button courtesy of johannes p osterhoff on Flickr. Some rights reserved.

Has anyone else noticed that submitting work for publication involves a lot of decision-making?

You need to figure out which piece you want to submit. Which means you have to figure out if it’s ready to submit. Which means you need to make a lot of editing decisions, and before you know it, you might be sucked into a total re-write.

You need to figure out where you’re going to submit it. This involves the monumental task of finding places that publish. Do I want to publish online or in print or both? What genre am I looking at — or more than one? Am I willing to pay a reading fee? How much? Do I want to consider contests?

What are the deadlines? What are the guidelines? Do I need to trim words? Add words? What font and spacing do I need to use? Have I put the appropriate contact and identifying information in my piece (or refrained from using it if asked)? Dammit when was that deadline again? OK, next market!

Then there is the actual packaging. Find the submission website. Click through the options, enter the information, upload the file (this stage involves a revisiting of all the previous questions, as to whether the manuscript is ready, whether this is the best work, if I should edit it some more, if this is really the venue for me, whether I’ve formatted everything according to their guidelines, etc etc etc), SUBMIT.

This spring, I began the process of submitting in earnest. I’ve got all sorts of flotsam and jetsam pieces floating around, and I need to actually send them on their way. Along with a group of other people who were using each other for mutual support, I gathered to talk about places to submit what types of writing, and pulling together my choices for what I wanted to submit and where. The idea was to get at least six submissions out that day.

To be honest, I haven’t gotten to that last button yet [SUBMIT!], because I’ve been waylaid by all the other stages.

Dilemmas, dilemmas

First, I thought I had all these pieces ready. Turns out, I didn’t, because I rejected them for one reason or another. Only two or three were close enough to send-worthy, and even these, I wanted to edit.

Then I looked up a number of promising venues to submit these two pieces. That one sentence describes more than an hour’s worth of research — see paragraphs 3 and 4, above. Finally, I got my targets organized, and went back to my chosen pieces to make a few — only minor, really — fine-tuning changes.

The time for our group to meet ended, and I still hadn’t submitted a thing. That’s fine, I told myself. I can go home, have lunch, refuel the brain, and finish up the task from there.

You know what happened to that.

The death of good intentions in the fires of creative flip-flopping

My good intentions DID carry over, at least for a little while. I sat down to make the final polishing-edits on the one piece. The more I pulled it together, the better I felt about the prose, and I lost track of the time going by. When I got up for a drink of water, the afternoon was gone.

Damn. I had had other plans for the rest of my day. After all, I was going to submit in the morning, so all the rest of the hours could be allocated for other things.

That’s fine, I told myself, as I had to make a few phone calls and buy food for dinner. I have the rest of the weekend. I have the rest of the week — by next weekend, this will all be taken care of.

I could write you a list of all the other things I had to do during that week, but I won’t. It’s exhausting just thinking about it.

Research shows that we have a finite amount of energy for decision-making processes. Making a decision is a lot of work for the brain. We may start out fresh in the morning (or not, if you’re me, and the alarm goes off way too early), but throughout the day we deplete our stores of mental energy through use. Come mid-afternoon, I’m tapped out. Which is sort of sad, since I’m doing work for other people for most of the day, and my own time in the evening is then relegated to a period of vegetation on the couch, with a restorative book in hand or Netflix queued up on the computer… ah brainlessness… Pending the decision on what I’m going to watch or read, of course.

It seems to me that I’m just too stubborn.  My will will not submit.

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What about you? Do you submit?

“Busy” is a great way to destroy your creativity

graffiti art tag Busy

CC image Busy courtesy of Steve Rotman on Flickr. Some rights reserved.

Ah, dear neglected Blog, what strangers we have become. Seeing each other only rarely, yet remembering all the old fondness we had for each other, we have become shy in each others’ company and this keeps us from doing what we love. In this case, our words.

I can make many excuses for my neglect. Chief among them, this year, has been Busyness. Ah, the cardinal sin of Busy. Busy covers so much territory. It carries itself with moral rectitude. You can’t really assail Busy, because Busy involves good things, like:

  • Work. We like Work! Since we earn our own bread, we appreciate anything that helps us eat. Also: sleep indoors, and meet other obligations. For months now, we have been saying, “Gee, I am swamped with all this Work!”
  • Play. With all this Work going on, it’s imperative to also make room for Play. All Work and no Play leads Jill down the path of diminishing Work performance and returns. Funny thing, that. Play is necessary for Work. Also, Play is necessary for Writing. Sorry, Writing. We’re setting the stage for you here. Truly, we are.
  • Sleeping. This is a very underrated activity which also has an perverse correlation (up to a certain point) with both Work and Play productivity. The less we sleep, the less we get done. Ironic, no? I mean, this is why some of us pulled all-nighters in college. To get stuff done. Not me, though. My one attempt was a total disaster on all fronts (I fell asleep and didn’t actually finish the paper). I am a failure at all-nighters.

Depending on my train of thought, I imbue Writing (which encompasses Blog) with self-awareness, a personality, and desires. Writing could be a small child, or an insect, or Tyrannosaurus Rex. At this moment, Writing is kind of like the family dog, an older Golden Retriever mix perhaps, sitting by the closed front door with its leash dangling from its mouth. The dog follows me with its eyes, which I avoid meeting as much as possible. Whenever I walk past close enough, I hear a sad little thumping which is the tail against the floor, an irregular rhythm, still hopeful that soon, it will get to go out on that walk. No matter how many times I’ve passed by here before and then carried on with Other Stuff, the hope persists. Thump thump.  Thump.

But Busy wins. So sad.

These longing glances remind me of one of the big reasons I decided to begin working for myself in the first place. Freelance. The word “free” in that compound word is a dangerous crumb of vocabulary. We have a lot of good associations with the word free. Things like free candy (without cost), free will (yes, it’s all about ME!), free time (no one can tell us what to do).  The problem is, nature abhors a vacuum, and there’s always something ready to rush in to fill the void when we clear it out with “free.”

In the case of freelance, I’ve cleared out the boss… which makes room for me to be the new Boss.

I had no illusions that freelance would be a lot of work (I did have a good dose of ignorance, though). I’m good at organizing my time, too, so I didn’t think setting my own schedule would be a problem (this is true). If I have a project that needs doing, I get it done. What I realize I am struggling with is work exhaustion. I’ll keep doing and doing and doing, because I like being able to pay my bills. As a result, I get more and more tired, and Sleep takes over a lot more time in my schedule which I thought would be devoted to Writing.

My illusion about freelance work is that I’d have the time flexibility to work on more creative projects while handling my own business projects. Turns out, I just replaced one tyrant with another, namely myself. Now I work all the time and am too tired to write, and I have no outside party or situation to blame for my failure to make progress on my creative dreams.

I have only myself.

Now that’s an eye-opener.

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How does Busy show up in your life?

Some books are bad

black and white cat cuddling with novel

CC image courtesy of Leach84 on Flickr. Some rights reserved.

It’s snowing here right now. Big, wet flakes of spring snow. Which means I have the perfect excuse to cuddle up with some blankets, a mug of hot chocolate, and a good book. Or several good books, as the case may be.

I am a book glutton.

I go on library binges the way some people go on chocolate binges or shopping binges. I can never seem to stop at just ONE book. There’s just too much (potential) goodness.

Notice that cute editing trick I played right there? The parentheses? It’s because I caught myself saying “goodness” as if every single book was good. Or good for us. Which is not true.

Some books are bad.

Damn, that’s hard to say out loud.

I LOVE books. Books are the perfect conversation partner — they’re always going at the exact speed we want them to go. They’ll pause when we want to pause, and continue as we want to continue. Until we get to The End, of course.

But some of them, to be honest, are lousy.

Occasionally, when I get a little ways into a book I impulse-brought-home from the library, I’ll wonder what possessed me to grab it. Not often, but sometimes. This is my version of the bar crawl and associated regret.

I try to make excuses for the book, but sometimes it’s plain bad.

Enter the book review

I was thinking about the reality of Bad Books again this week. Not because I am in the middle of a lousy book. I was on Goodreads, researching a book I was considering bringing over for coffee. I was going over one rave review after another, and my eyes were glazing over. Can this be true? I thought. It can’t be. People here totally drank the Kool-Aid.

Sometimes books are bad, and we want to know about them. In fact, low-star and negative book reviews may be more useful than any other kind of review for helping us to weed out the crowd.

I found out that I appreciated bad reviews, at any rate.

In support of the “bad” review

There were a LOT of reviews for the book I was looking up. A LOT of POSITIVE reviews. I think book reviews operate on the reverse principle of the calls made to most customer service departments. Customer service departments tend to hear from people who are pissed. Sites for reader reviews feature the readers who are in love with the book they are reviewing. Neither of these scenarios gives us an accurate picture. Book readers, on the whole, want someone else to know how amazing the book was they just read! They can’t keep the information to themselves — they want to sing it from the rooftops!

All the positive reviews for this book began to look exactly the same to me. I was getting zero information.

(Side note: what is it about book reviews that makes people want to recap the plot? Not necessary! We already have the jacket flaps and the publisher’s blurb! Otherwise the information is just spoilers! But I digress.)

They were all the same, these reviews. They weren’t telling me anything I didn’t already know by the 3rd 5-star review — except what they revealed about the text itself (spoiling spoiling spoiling). I don’t care, I caught myself thinking. What if I met you (the reviewer) in person and thought you were a complete flake? This book review would do me no good whatsoever.

Then I got to the first two-star review.

Don’t tell me you “like” something. Tell me WHY you like it!

I felt as though someone had just opened a door to let in some fresh air. Finally, I had what I wanted: if there was an aspect of the book which might not thrill someone (and I’m not saying there always has to be or that the lack of thrill complaint is always valid), or which could be described as annoying, what would that be? Was this something which could bother me as well? I read on, first one and then another 2-star review, and I came across a few candidates for What Could Annoy.

I kept scrolling down through the pile of comments, giving all the 4- or 5-stars a pass. Sometimes, a 3-star would make me hesitate, but they appeared to be rare in this instance. I focused on the 2-star reviews.

Here’s the beauty of this approach: it matters not whether I agree or disagree with the 2-star review. Either way, I’ve learned something about the book by learning about the reader who disliked it. I can get a feeling for the book by checking to see whether or not I do agree or disagree with what annoyed this person. And that, gentle reader, helps me make a decision about reading the book.

Many people who like books forget to tell us why they like them. “Beautiful” may be descriptive because the word is an adjective, but it doesn’t tell me anything. I can imagine whatever I like under the word “beautiful” and my beautiful may have nothing to do with yours!

This is not to say that I want everyone to go out there and find some book to pan online. Rather, I appreciate the people who are not raving fans of certain works who took the time to share why.

This is my call to your customer service department, to say Thank You for a job well done.

…Now, for my hot chocolate and cuddle with my “good” book…. which I may or may not feel inspired to review…

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How do you feel about book reviews? Let me know in the comments!

Reboot

fine art abstract drawing black and white

Sometimes chaos is better… CC image Order from Chaos by lokate366. Some rights reserved.

I’ve been struggling with this blog since the turn of the year. Which is why I haven’t been able to post anything here, until today.

Of course the end-of-year holidays provided their own source of distraction and time commitment. On top of that, however, a much bigger concern has been looming over my head with regard to what I’m writing and sending out into the world via this wee forum.

For the first time ever, I think, I took the changing of the year as a springboard to look over my work and creative crises. What I saw did not fill me with glee — but then, I’m not known for being particularly kind to myself. Recognizing this, I decided to take the opportunity to re-set in the new year with a fresh outlook and retooled goals.

The fresh outlook and goals covers every category of my life, including this blog. I had an idea of what I wanted to say when I launched it, and this past year I’ve felt more and more confused about my message. What story was I telling, after all?

Like a lot of people who start blogs and then go freelance, I had grandiose ideas at first. Alas, the ideas were a hodgepodge of themes, and so I found myself facing the same questions over and over each time I went to post content, only they got louder and in a bigger typeface each time:

  • Does this fit with my overall theme?
  • Wait — what IS the overall theme? There are at least two.
  • No, three.
  • If so, it’ll definitely fit. Because it hits at least one of the themes. Right?
  • …Won’t this just look like a bigger mess as I go along?

The crux of the matter was my obstinate attempt to be practical and useful with my blog. To be Above it All, and Wise. Except whenever I sat down to write, I found myself sinuously winding along a whimsical, playful, sometimes painful personal creative vein.

I didn’t share all of that. Because it didn’t fit.  And partly because sharing is hard (with deference to Havi here).

And my inner self wasn’t letting me get away with it. My inner self threw creative tantrums.

More and more, I wanted to talk about thoughts and ideas and inspirational nuggets and dream-babies of mine that had NO OBVIOUS PRACTICAL PURPOSE.

That’s right! About Art with a capital A!

Shocking. Downright provocative. I know — a blog about creativity and art that was — playing with creativity and art?

Say it ain’t so.

Truth: I need to find harmony with myself, and I need to find honesty with myself also. I’m simply not getting anywhere cutting out a part of myself and pretending it doesn’t exist. I signed up for a Voice & Speech class at the start of the year, which is known to be a place where people become blubbering emotive puddles, and I became a blubbering emotive puddle during THE FIRST CLASS, trying to say this out loud.

I can be practical. I can be. Just like I can be organized. Periodically. And I can be logical. In a crisis, when you need a cool head, that’s me.

The fact is, though, that my personality test results tell me I’m intuitive, feeling, and perceiving. Did I need a personality test for this? I am a stereotype. Everybody knows this about me. I am a sensory being, putting on intellectual armor over my creations before I sally forth.

I’m tired of trying to make this blog fit some preconceived mold. I’m not 100% sure what it’s going to look like, but I know what it’s NOT going to look like. It’s definitely NOT going to look like a thesis outline. More like a paint splatter. Because the point of creativity, writing and art is that they are FUN. And gosh darn it, I’m going to have fun talking about them here.*

Do you have fun stuff? Share in the comments!
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*Because I am nothing if not ambitious, I might be pursuing the more “serious” ideas in a more “serious” forum. No promises.

This movie coming soon to a bookstore near you!

black and white of a group of children covering their eyes

Gasp! it’s a movie! about a book! CC image “children of horror” courtesy of wolfgangfoto on Flickr. Some rights reserved.

Did you know you could make movie-like trailers for books?

I didn’t.

I’m not talking about a trailer for a movie that was based on a book. I mean a trailer that was shot exclusively to promote a book. As part of that book’s publicity.

This may not be as new for the world as it is for me. I only discovered book trailers this week. The first one was utter serendipity — a link in an article I was reading. I was intrigued by the concept of making a film to advertise literature. Since then, I see links to book trailers everywhere (it’s like little red cars; see the post I wrote about Attentional Bias for more info on that).

I think this is an awesome idea.

Admittedly, I can see the trailer concept working better for some genres and types of stories than others. The link that opened the world of book trailers for me was for a kind of thriller. That type of story structure lends itself to excitement. A very interior storyline might not — for what it’s worth, that’s what I think tripped up the movie version of The Hunger Games. That book was a page-turner for me; I stayed up at night because I had find out what happened next. So much of it — and much of what appealed to me — lay in the protagonist’s reaction to the world around her: her thoughts; her ideas. The movie, in comparison, was bland. You and I could make a lot of arguments about how and why that was… one of them, for me, is that the movie failed to cash in on the first-person, interior landscape of the book, lingering instead on the easy, outside paraphernalia.

Still, I think that if you’ve got a good storyline, no matter what the genre, you could create a book trailer for your book. What a way to capture audience — our social media sharers these days are absolutely video-obsessed!

Seriously…

I mean, really.

In fact, creating a video could be a great benchmark for figuring out if you do have a story, and how interesting that story is. In a way, a trailer is kind of like an abstract of the book, or a pitch letter. You have to be able to capture the essence of the story and the interest of the audience in a short amount of time — hook them, leave them wanting more.

I don’t want to say the book trailer replaces the book, however. Film and literature are different media, and need to be imagined differently. Which I frankly regard as another advantage of the book trailer concept — cross-media play is a tried-and-true recipe for breaking into the creative zone. Our brains are forced to be dynamic, considering artistic problems from different angles. I wrote a little about this, too.

If you’re creating a book trailer as a test for the story’s viability, there’s no reason your film efforts ever need to see the light of day, though. Like my drawings, the video can be just for you…

…but if you do make a book trailer that you want the world to see, let me know. And long live the story!

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What do you think of the book trailer idea? Blessing or curse?